Aldous Huxley’s “A Brave New World” (1932)

Realizing I probably should have read this book back in high school, I was a bit amazed both at how pleasurable reading Aldous Huxley’s “Brave New World” was and that I hadn’t read it sooner. I think I had something built up in my mind, the false idea that this book would be more challenging and dry than it was. In reality, I found Huxley’s most prized piece of writing to have some genuine humor throughout it. The absurdity of situations are elevated to comedy. For example, police spraying soma gas (a universally popular and near mandatory narcotic distributed by the government meant to provide feelings of bliss and absent-mindedness) at a crowd on the verge of aggressively rioting and altering the mass into a sobbing horde of groping bodies drugged out of their dissent.

Alas, there is also violence present within the novel that is raw and not intermingled with the light-hearted. An earnestness underlines the entire work and reminds the reader that what they are in fact engaged in reading is a tragedy, putting the problems of peace under scrutiny.

This is a theme I find interesting, an alternative among the abundance of post-apocalyptic scenarios drawn out in countless science-fiction tales where the world is burned out or neglected to the point of being uninhabitable. In this version of the future, the apocalypse as a cataclysmic event is stunted by the control of a governing body that works to maintain peace and order, to preserve and progress human society to a point of thoughtlessness, in effect ruling out the possibility of war altogether.

The point made with “Brave New World” is there can no great tragedies or art in the absence of social instability. In a societal structure shaped through conditioning, culture is necessarily mass-produced and insubordination beyond the realm of the imagination. Religious over-tones aside, Huxley at times coming across as a tinge conservative in beliefs and possibly a racist, “Brave New World” certainly deserves the title of “required reading” among any literate person interested in ideas of social structure or visions of the future.

I found Kurt Vonnegut through a high-school English class after reading “Harrison Bergeron”, an author undoubedtly influenced by Huxley. Perhaps this particular novel would have soared over my head in my teenage years. Some would even go so far as to say that books like “Brave New World” and “1984” are so dated that they don’t elicit the same level of shock as they used to amongst young readers, the fantasy described in the novels already being a reality. Be that as it may, well-formed ideas of the future, even if written over a half-dozen decades ago, still elicit some excitement from me and seem worthy of sharing.

Also, I’ve been meaning to find the cartoon comparing and contrasting Huxley and Orwell. I had seen it awhile ago and it sort of fell out of my mind until I started reading “Brave New World” and found it on chimac.net. Read the cartoon “Amusing Ourselves to Death” by Stuart McMillen here.

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One response to “Aldous Huxley’s “A Brave New World” (1932)

  1. I’m reading BNW first time at the moment because I decided to write my graduate thesis about bodily aspects in three dystopias. Two of them you mention here, the third I suggest warmheartedly, if you haven’t already read it: Ray Bradbury’s “Fahrenheit 451”. It is about a world in which people rather socialize with telescreens (an analogy with iPads is imaginable) than with real people; and literature is forbidden and destroyed, because it supposedly makes people unhappy. First published in 1953, it draws heavily from both Huxley and Orwell. And just as those two, Bradbury made some surprising predictions. Namely, his “mechanical hound” is becoming a reality in this decade (search “Big Dog” on youtube).

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